The hosts whisk listeners through a fragrant bazaar of sounds—swelling Latin brass, cheeky Afro‑funk, wistful synth‑drift and mellow Lagos grooves—while bargaining over spices from the saffron‑laced air of a limousine that feels part alchemy lab, part dream‑car. A kaleidoscope of upbeat rhythms and forward‑looking optimism becomes a sonic spice rack on this glitter‑dusted detour, where every turn feels both a celebration and a gentle question of what “positivity” really means.
| Artist | Song | Album |
|---|---|---|
| Alfonso Lovo | La Gigantona | La Gigantona |
| Chocolate Da Bahia | Sao Jorge Guerreiro (Homoenagem a Camafeu de Oxossi) | Barraca do Chocolate |
| Boo and the Tru-Tones | Let Me Get Stoned | Show the World |
| Climaco Sarmiento Y Su Orquesta, Trio Primavera | La Pata y el Pato | Bombo Maracas |
| Miss Lene | Sinal De Desojo | 1980 |
| Novi Fosili | Ti, Koja Ne Gledas Me Nikad | Novi Fosili |
| Los Yoyi | Yo mejor te doy | Los Yoyi |
| Steve Monite | Only You | Doing It In Lagos |
| Okyermema Asante, Black Fire, Plunky | Asante Sana | Drum Message |
| Corey Lefko | Late Night Operator on the Dream Hotline | Talk Jams Vol. 1 |
| Corey Lefko | Sunset in Slo-Mo | Talk Jams Vol. 1 |
| William Onyeabor | Tomorrow | Tomorrow |
| Keyboard | Peaceable World | Hungry Man |
| Corey Lefko | 3-Piece Spacesuit | Talk Jams Vol. 1 |
| Ayo Manuel | Song of Love | 1983-90 |